a new developmental series at The Commons Cafe
388 Atlantic Avenue, Brooklyn, NY
(between Hoyt & Bond)
$#!THOLE COUNTRY CLAPBACK
Written and Performed by TONY Award Nominee Pascale Armand
Directed by Patrice Johnson
A rebuttal to Donald Trump’s comment about allowing “people from shithole countries” entrance to the United States and a chronicle of the playwright’s family’s journey to American citizenship.
$17.50 in advance
$20.00 at the door and
$15.00 for seniors and students with student IDs
One drink minimum per person
Doors open at 6:30 pm, food available for purchase.
August 5th — Threshold
Written and Performed by Amy Brenneman
Directed by Sabrina Peck
Threshold tells the highly personal story of Amy’s life juggling the roles of caregiver to her mother, mother to her disabled daughter and her working life as an actress.
Funny, poignant, relatable and bold, Threshold asks you to question who gets marginalized in our competitive world and what happens when the caretaker is now the one who needs care.
September 9th — Balboa Is Not Drowning
By Kevin R. Free
Directed by Zhailon Levingston
Performed by TONY-nominee André De Shields (Hadestown)
1997 – In the middle of Pittsburgh’s Hill District, right around the corner from the new Millennium, near the end of a Century Cycle, Balboa Douglas has something to say from his deathbed to his sometime lover, Joe. A queer exploration into August Wilson’s Century Cycle.
October 7th – Em Weinstein’s Soldier Girls Using real letters and a collage of history and music, Soldier Girls examines the untold story of the queer female soldiers of the U.S. Army’s newly formed Women’s Army Corps in World War II.
November 18th – Annabelle Gurwitch’s If You Lived With Me You’d be Home by Now
Previous UNCOMMON VOICES Evenings
Music Lessons (6/10/2019)
written and performed by Ed Napier
directed by Anne Hamburger
Peter Muir, Pianist
Laura Goldberg, Violinist
Kristen Norwark, Soprano
Music Lessons tells the story of Ed Napier’s journey from the backwoods of West Virginia to the halls of Columbia, HB Studio and Juilliard in New York in pursuit of becoming a playwright and opera singer. Through story and song, we come to learn and love his opera and playwriting teachers, larger than life as mentors and idiosyncratic as hell.
Rage Play (5/6/2019)
by Nandita Shenoy
directed by Lori Elizabeth Parquet
commissioned & produced by Flux Theatre Ensemble
In Rage Play, three women find themselves standing over the man they’ve killed. Yet in their own theatrical version of Russian Doll, he keeps coming back. Again and again and again. Inspired by the #MeToo movement, Nandita Shenoy’s outrageous black comedy explores the cost women face in fighting back against misogyny and patriarchy, and how they might be complicit in these systems. Through their purgatory, the women aim for liberation…and maybe even a little sweet revenge.
Tar Sands Songbook (4/1/2019)
written, composed & performed by Tanya Kalmanovitch
dramaturgy & direction by Katie Pearl
with Andrew Boudreau on piano
My name is Tanya Kalmanovitch. I am a violist, a fiddle player, and a writer. Tar Sands Songbook is a performed reckoning with my hometown of Fort McMurray, Alberta, Canada — an oil boom-town located in the Athabasca Oil Sands, the largest reservoir of crude bitumen in the world.
by Miranda Rose Hall
featuring Nadine Malouf
an evening of interactive, interspecies storytelling
Developed by LubDub Theatre Company, this new work-in-progress asks–through story, song, and movement–how to be a human in an era of man-made extinction.
Truth and Reconciliation of Womyn (2/4/2019)
An Evening of Ten-Minute Plays
Curated by Tonya Pinkins
with stories by Glory Kadigan, Tonya Pinkins, Kristine M. Reyes, Carmen Rivera, Lucy Thurber
& stories and songs by Angela Sclafani & Julie Brown
Moments in history you may not have known.
New ways of seeing the world and each other.
Down the Rabbit Hole
by Liza Jessie Peterson (1/7/2019)
This extraordinary writer, activist and performer tells stories from her experiences teaching teens at Riker’s Island.